Songezo Zantsi’s paintings  poignant moments of human interactiondraw on a long history of realism in painting.  Zantsi features natural poses, movements, and attitudes which are reflective of social realities that surround the artist and which he proposes are responsible for the culture of a society.

His brushstrokes, muddy and applied quickly, reveal a stylistic signature influenced by modernist artists such a Walter Sickert, Gerard Sekoto and Winslow Homer. A mix of wet and semi-dried oil paint, applied with old brushes, lend the paintings a soft and loose rhythm which the artist pairs with a compositional and proportional acuity.

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Making use of scenes photographed by the artist, as well as images from a personal and national archive, Zantsi alludes towards a pervasive and untenable link between the contemporary and the recent past. The artist presents, for example, an image of three young children playing on the street, as well as an image of elderly women beating another woman suspected of being a political spy. Another scene features a man walking home from work carrying groceries, and yet another features a large procession of horseback riders at a traditional wedding ceremony. Such choices are inspired by the artist’s desire to create, in his words, “a visual archive of life in South Africa.” This archive  the artist’s sensitive eye  reveal consistencies within an evolving cultural environment.

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Songezo Zantsi was born in 1991 in Cape Town. He grew up with his grandparents in Alice, a historically significant town in the Eastern Cape of South Africa. He currently lives and works in Cape Town.

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In 2022 Zantsi presented his first solo exhibition titled IInkumbulo at Vela Projects, Cape Town. He has been part of group exhibitions at the Association of Visual Arts, Cape Town (2021) and Youngblood Gallery, Cape Town (2022).